A confident village lad, Daanish (Dhanush) overwhelmingly
crazy about movies, spends his childhood living in his fantasy of being an
actor. However the nature has a condition with him that he could only be a mute
actor which he has no problem with but the world at large wants otherwise. He
is rejected by many but he gets lucky to be spotted by a wanna-be-director girl,
Akshara. She even though looks down on him and often calls him Monkey, becomes
a fan of his acting. She finds a way that a voice can be embedded into the dumb
actor which can give his facial expressions and moving limbs some
understandable meaning. The actor then chooses the voice of an old, shabby, serial
whisky-drinker Amitabh Sinha (Bachchan), whose acting career wasn’t taken off
due to rejections for his voice, and who spends his life in hangovers in the
middle of a graveyard. With the help of technology the strengths of both the
artists are put together and they rule the Box Office without letting out their
secret. The villager becomes the talk of the town and gains enough fame to
cause indigestion to his voice donor. They argue, fight, and abuse to prove that
the other is less talented and often convey that by lowering the alphabets of
other’s name parts used in Shamitabh, the pseudonym they make for their
combined endeavour. Egos clash, both separate, and when wisdom strikes, join
hands again. At this time of the movie, R Balki, the director, pitches in and
makes his presence felt.
Both the leads exhibit power pack performance and is fun to watch before things begin to cross the fine line between adequate and over-the-top. The bits that delighted
me the most are - the intensity of Daanish to be an actor, and music, which is a
touch of a genius named Ilaiyaraaja. The movie celebrates the most popular and
dearly loved baritone of Indian cinema and is certainly a good watch especially the concept is novel and a few directional touches truly deserve thumbs-up.
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