The movie opens with the cheers from the audience in the stadium converging with the hoots within the cinema hall when the camera admiringly
revolves around Milkha Singh’s imposing posture. The story is then put on a
snail-paced, detail-rich biographical path and goes back and forth more than
necessary times, interrupting the normal pace of watching just exactly when the
environment is set. The movie spans from Milkha as a kid till Milkha ‘became
India’. You are introduced deeply with the determined personality of Milkha
Singh, the living legend, through the finest performance by Farhan Akhtar. The
protagonist shows you what he went through, how he took it, what he had to let
go, what kept him going, how he hung on, and what he eventually became. Now let
me come to some specifics. There’s not even an iota of suspense in the story. You
would see creativity in expressing a real, heart-felt love; be it with your
sister, friend, lover, or nation. You are sure to learn some cost-effective yet
workable and timelessly charming ways of impressing your girl. The story
essentially covers how a pitiable victim of partition became the proud,
plugging link between the two nations.
The director, Rakeysh Omprakash Mehra is a master of
presenting reality without razzmatazz. He has shown his forte in showing past
and present parallels beautifully. You would also see directing cameras worship
the elegance hidden in slowness and close-ups when some of the reels move on screen. It
would have been better had couple of songs were eroded that were real patches
that didn’t do anything material to the script but to add to the
movie-duration. Bhaag Milkha Bhaag is watchable as a token of admiration for the evidently
wholehearted dedication put in by Farhan Akhtar and most especially as a mark
of respect to the legend Flying Sikh himself.
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